Comp, promote, and clean up takes¶
Task: you loop-recorded a phrase several times; now pick the best pass (or splice a "comp" from several) and tidy up. Assumes you've recorded with Loop on.
How takes stack¶
When you record with Loop on, each pass through the loop is kept as a take. They stack at the same spot on the track — the newest is active and the earlier passes sit behind it as muted alternates (a take lane). Nothing is thrown away until you clean up.
Choose a take¶
Right-click a take clip in the arrangement to get the take menu:
- Use this take — make this pass the active one and mute its siblings. Do this per section to comp: keep take 2's verse and take 4's chorus by activating each where it's best.
- Promote take (keep) — lift the chosen take out as a normal clip while keeping the alternates around, in case you want to revisit them.
Audition as you go with Space; the active take is what plays.
Clean up¶
Once you're happy:
- Clean up unused takes (take right-click menu) — removes the alternates you didn't choose, leaving just the comped result. This is the tidy-up step, so do it only when you're sure.
Recovering takes
Raw recorded passes are kept under the composition's assets/recordings/, and
a recover-takes operation can bring cleaned-up passes back — but that one
is currently reachable through the control API,
not a desktop menu. Until you clean up, every pass is still on the track.
See also¶
- Record MIDI and audio — where takes come from.
- Take — the precise definition.